We've Been A Little Quiet Lately. Why?

Things have been quiet at The Form Collective social media and events calendar recently, and it’s incredible. While we plan to create space for some events this spring and summer, the studio has been in full force with all 3 artists cranking out work.

The energy in the space these days is exhilarating. Zoe, Alex, and Brielle are all in production mode spending the cold winter months in the sunny open space building inventory, brainstorming new ideas, and creating fresh forms. This is exactly what the initial vision of the Form Collective looked like. Sharing energy in the south of of Burlington, Vermont creating community and new ideas in the space. The kiln is running non-stop (but room for more contract firings if you are interested!) supporting pottery in the greater Burlington area in all styles.

Curious to come check out the space in motion? Fill out the contact us form or grab our number from Google My Business and set up some time to see the unique production styles of slip casting, throwing, and hand building with clay, porcelain, and other materials.

Thank you!

We have been operating for a full year now! We are so grateful for all the support in the community in what we are doing here at The Form Collective. It was a total "build it and they will come" leap of faith, but knowing the heartbeat of local artists, we feel we made the right decisions.

This ceramics collective in Burlington, Vermont's South End Arts District was designed to be a place where hobbyists can come to launch their own professional careers. In many conversations we had with out local pottery friends, we learned that there wasn't a great transition space for potters and ceramicists to graduate from BCA pottery coop, UVM Pottery Studio, Mud Studios, or other amazing organizations that do so much to educate and welcome artists into the world of clay. Our space hope to continue to provide resources to potters who want to take the next step and launch their business. Resources such as space rental, kiln rental, workshops, and most importantly a place where questions are welcome and knowledge is shared freely. We all were in desperate need at one point for guidance and mentorship, and this collaborative maker's space plans to aid.


On top of this, founders Brielle and Mitch Rovito work to do everything in their power to keep the costs reasonable. With other makers spaces being partially supported by grants and city/state funded initiatives, it is challenging to keep the price of a family owned private organization close to that of a publicly supported one. While we are SO incredibly grateful for all the options Burlington supports, we also want to make this space approachable. This does cause our progression to be at a humble pace, so you will see some functional parts of the space as a work in progress. We also would love anyone in the community who shares our vision to reach out if you are interested in helping and supporting!


We hope to expand our offerings and allow new ways to be a part of the collective. Stay tuned and stop by to hear more!

The Form Collective in Seven Days



A New Ceramics Studio Takes Shape in Burlington's South End


It’s said that, if you can’t find what you’re looking for, you should make it yourself. Ceramicist Brielle Rovito seems to have taken that philosophy to heart.

A year ago, Rovito got married and moved to Burlington from Minneapolis, Minn., to be closer to family. Leaving a ceramics-focused shared studio, she was hoping to find something similar in her new home, but didn’t. So she started the Form Collective, which now hosts three ceramicists in a cozy second-floor studio at 180 Flynn Avenue.

On Tuesday, May 22, 5-9 p.m., Rovito will host an open house with her studio mates, Taylar Main and Lindsay Van Leir, who moved in over the winter. 

The studio is now full to brimming, with racks of bowls, cups and vases waiting their turn in the kiln, but for a long time it was relatively empty, Rovito says.

She likes the company. “I want to be making, but I also care a lot about making with other people. I’m such an extrovert,” Rovito says. “Being this solo, solitude artist only works for five minutes.”

Just as importantly, having studio mates helps with bills. When Rovito started looking for a studio with kiln access in Burlington, her budget was just $300 a month.

“Financially, Burlington is insane,” she says, seated at a raised wooden counter in her studio that looks out over a neighboring rooftop. “[Three hundred dollars] can get you a corner under a staircase here.”

The week after her honeymoon, Rovito moved to Burlington, met up with a property manager and went on the hunt. In the first location they looked at, the carpeted floors and small bathroom wouldn’t work for messy ceramics work. Then the property manager showed Rovito the upstairs studio.

“It was triple what we could pay,” Rovito recalls. “We had just gotten married; we were pinching pennies.” But she was enamored of the space and realized it would work better for her in the long run.

So she and the property manager worked out a reduced rent that would allow her time to find tenants to share the studio. She sold her car, bought a kiln and moved in.

“Anything was on the table at that point,” Rovito says. “We just sort of jumped in and were like, OK, well, let’s hope people respond.”

For a while, she didn’t get any bites. But slowly, by connecting with other ceramic artists in the area and advertising through the South End Arts and Business Association and Craigslist, Rovito found the kind of colleagues she was seeking: ones who were beyond the hobby artist stage but could share a production space and benefit from a collective environment.

Ceramicists in need of a space to fire their work also can lease time in Rovito’s kiln, for $50 a load; she also plans to offer limited porcelain-casting workshops.

While the three female ceramicists who now share the studio focus on functional wares, each has a distinct aesthetic. Rovito is a slip caster, making porcelain ware using a mold. Her work is elegant and simple: white and black glazed porcelain cups, bowls, mugs and other items with clean, smooth lines.

The other two throw on the wheel, creating a variety of vessels. Main employs inky glazes and splashes of color to evoke moonlit, star-strewn skies. Van Leir opts for earthier tones and materials — rough grains and greenish hues.

“If we had similar work, it would be harder — but it’s really obvious to see our [distinct] styles,” Rovito says. Not that she’d mind a little overlap. “Maker people can get weird if you’re doing things that are similar,” she says. “My whole mantra is that there’s space for everyone. There is space in this tiny little town for everyone to do their thing.”

Now that the studio has tenants, getting back to “doing her thing” is her goal. “[The Form Collective] has become, in a big way, so much of my life,” says Rovito. “I still want to keep the focus on making my work.”